- BPM
- 132
- Key
- A♭ Major
- Camelot
- 4B
Bach: Liebster Jesu, wir sind hier - Charivari Agréable Information
- Acousticness
- 93%
- Danceability
- 16%
- Energy
- 6%
- Instrumentalness
- 89%
- Liveness
- 12%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 23%
- Popularity
- 2%
- Loudness
- -26.945 dB
Summary
Charivari Agréable's 'Bach: Liebster Jesu, wir sind hier' came out on 2003. The duration of Bach: Liebster Jesu, wir sind hier is about 3 minutes long, at 3:17. Based on our data, "Bach: Liebster Jesu, wir sind hier" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 20 out of 20. Based on our statistics, Bach: Liebster Jesu, wir sind hier's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach: Liebster Jesu, wir sind hier BPM
We consider the tempo marking of Bach: Liebster Jesu, wir sind hier by Charivari Agréable to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Bach: Liebster Jesu, wir sind hier Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | |
 | Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | |
 | Concerto No. 2 in E Major, SF 938 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Major | 1 | 5B | 107 BPM | |
 | Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | |
 | Violin Concerto in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Michael Sand, Arcangeli Baroque Strings | A♭ Minor | 3 | 1A | 127 BPM | |
 | Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM | |
 | Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | |
 | Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | |
 | Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | |
 | Sonata for Lute No. 8 in A Major: II. Allemande | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6093034744262695
End: 0.6126899719238281