John Williams, London Symphony Orchestra's 'Duel of the Fates' came out on May 4, 1999. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Star Wars: The Phantom Menace (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Duel of the Fates is fairly popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Duel of the Fates by John Williams, London Symphony Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Prophecies | Philip Glass | D Minor | 0 | 7A | 67 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
Finale | John Williams | G Minor | 4 | 6A | 59 BPM | ||
A Gift Of A Thistle | James Horner, London Symphony Orchestra | A Minor | 0 | 8A | 170 BPM | ||
Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
Vordt of the Boreal Valley | Motoi Sakuraba | E♭ Major | 10 | 5B | 144 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Breaking Bad Main Title Theme (Extended) | Dave Porter | D Minor | 4 | 7A | 153 BPM | ||
The Doctor's Theme | Murray Gold | E Major | 1 | 12B | 83 BPM |
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