Risk Management, Track 6
Blake's 7, Simon Guerrier, Una McCormack, James Goss, Paul Darrow, Sally Knyvette, Jacqueline Pearce, Gareth Thomas
The Liberator Chronicles, Vol. 5 (Unabridged)
3:05 August 1, 2013
BPM
76
Key
F Minor
Camelot
4A

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Risk Management, Track 6 - Blake's 7, Simon Guerrier, Una McCormack, James Goss, Paul Darrow, Sally Knyvette, Jacqueline Pearce, Gareth Thomas Information

Acousticness
62%
Danceability
50%
Energy
51%
Instrumentalness
0%
Liveness
14%
Loudness
82%
Speechiness
79%
Valence
39%
Popularity
Loudness
-11.063 dB

Summary

Blake's 7, Simon Guerrier, Una McCormack, James Goss, Paul Darrow, Sally Knyvette, Jacqueline Pearce, Gareth Thomas's 'Risk Management, Track 6' came out on August 1, 2013. The duration of Risk Management, Track 6 is about 3 minutes long, at 3:05. Based on our data, "Risk Management, Track 6" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 60 in the song's album "The Liberator Chronicles, Vol. 5 (Unabridged)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Risk Management, Track 6 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Risk Management, Track 6 BPM

With Risk Management, Track 6 by Blake's 7, Simon Guerrier, Una McCormack, James Goss, Paul Darrow, Sally Knyvette, Jacqueline Pearce, Gareth Thomas having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Risk Management, Track 6 Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
DEVU52258229
Label
L-M Records/RCA Records

Section: 0.5626540184020996

End: 0.566042423248291