"Son ruinato, appassionato" by Benedetto Ferrari, Le Poème Harmonique, Vincent Dumestre was released on 2002. Since Son ruinato, appassionato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Il Fásolo, Le Poème Harmonique, Vincent Dumestre's "Il Fásolo?" album is number 4 out of 17. On top of that, France appears to be the country where this track was created. Son ruinato, appassionato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Son ruinato, appassionato by Benedetto Ferrari, Le Poème Harmonique, Vincent Dumestre to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Abdelazer: VIII. Hornpipe | Henry Purcell, Joan B. Boils, La Dispersione | E Major | 1 | 12B | 144 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: I. Fantasia | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Madonna qual certezza | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 2 | 11A | 129 BPM | ||
Musiche Varie a voce sola, libri I: Non fia più ver | Benedetto Ferrari, Philippe Jaroussky | F♯ Minor | 2 | 11A | 114 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM | ||
Kyrie Eleison, RV. 587: Coro "Kyrie eleison" I | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM |
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