Traditional, Heinrich Ignaz Franz von Biber's 'Balletto 1. Di Zingari in D Minor - Aria 2: Ciaconna Detta La Bella Zingara, Reprise (Viola)' came out on December 15, 1998. With Balletto 1. Di Zingari in D Minor - Aria 2: Ciaconna Detta La Bella Zingara, Reprise (Viola) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Traditional, Heinrich Ignaz Franz von Biber's "Music and Dance from the Viennese Court" album is number 23 out of 45. On top of that, United States appears to be the country where this track was created. In terms of popularity, Balletto 1. Di Zingari in D Minor - Aria 2: Ciaconna Detta La Bella Zingara, Reprise (Viola) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Balletto 1. Di Zingari in D Minor - Aria 2: Ciaconna Detta La Bella Zingara, Reprise (Viola) by Traditional, Heinrich Ignaz Franz von Biber to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E♭ Major | 0 | 5B | 80 BPM | ||
A Winter Road, Op. 42, No. 2 | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Passion Week, Op. 13: VI. Of Thy Mystical Supper | Maximilian Steinberg, Cappella Romana, Alexander Lingas | C Major | 0 | 8B | 128 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | F Major | 2 | 7B | 84 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Inno: Gloria Laus | Canonici Regolari Si Sant'Antimo | A Major | 0 | 11B | 143 BPM | ||
Peace I Leave With You | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | E♭ Major | 0 | 5B | 89 BPM | ||
The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
Traditional: La llorona (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | E Minor | 1 | 9A | 116 BPM |
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