"Harry's Wondrous World (From "Harry Potter and the Sorcerer's Stone")" by Royal Liverpool Philharmonic Orchestra, Carl Davis was released on November 1, 2007. With this song being about 5 minutes long, at 4:39, "Harry's Wondrous World (From "Harry Potter and the Sorcerer's Stone")" by Royal Liverpool Philharmonic Orchestra, Carl Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Royal Liverpool Philharmonic Orchestra, Carl Davis's "Grands thèmes du cinéma" album is number 14 out of 14. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Harry's Wondrous World (From "Harry Potter and the Sorcerer's Stone") is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harry's Wondrous World (From "Harry Potter and the Sorcerer's Stone") by Royal Liverpool Philharmonic Orchestra, Carl Davis to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Polka Militaire | Patrick Doyle | G Major | 3 | 9B | 144 BPM | ||
Stabat mater: IV. Lament | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 1 | 8B | 170 BPM | ||
The English Patient: Main Title Theme | Gabriel Yared, Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 75 BPM | ||
Poet and Peasant | I Salonisti | B♭ Major | 1 | 6B | 150 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
The Procession Of The Queen - March from The Birds | Hubert Parry, London Chamber Orchestra, Christopher Warren-Green | C Major | 1 | 8B | 97 BPM | ||
Pride and Prejudice (From "Pride and Prejudice") [BBC 1995 Adaptation] | Regency Players | B♭ Major | 2 | 6B | 126 BPM | ||
The Irish Washerwoman | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | A Major | 3 | 11B | 78 BPM | ||
Symphony No. 1, "The Lord of the Rings": V. Hobbits | Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker | F Major | 1 | 7B | 97 BPM | ||
The Running Set | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, James Judd | E Minor | 2 | 9A | 78 BPM |
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