Waltz Suite, Op. 110: I. Since We Met (from War and Peace) - Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop Information

Acousticness: 96%
Danceability: 19%
Energy: 8%
Instrumentalness: 93%
Liveness: 9%
Loudness: 59%
Speechiness: 5%
Valence: 8%
Popularity: 4%
Loudness: -24.661 dB

Summary

"Waltz Suite, Op. 110: I. Since We Met (from War and Peace)" by Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop was released on August 12, 2016. Waltz Suite, Op. 110: I. Since We Met (from War and Peace) is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Prokofiev: Symphony No. 6, Op. 111 & Waltz Suite, Op. 110". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. The popularity of Waltz Suite, Op. 110: I. Since We Met (from War and Peace) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Waltz Suite, Op. 110: I. Since We Met (from War and Peace) BPM

With Waltz Suite, Op. 110: I. Since We Met (from War and Peace) by Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Waltz Suite, Op. 110: I. Since We Met (from War and Peace) Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto in A Minor, Op.16: I. Allegro molto moderato	Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo	A Minor	1	8A	95 BPM
Le roi s'amuse: Final	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Minor	1	8A	94 BPM
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz")	Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz	E♭ Major	3	5B	87 BPM
String Quartet No. 2 in F Major, Op. 92: II. Adagio	Sergei Prokofiev, Pacifica Quartet	F Major	1	7B	148 BPM
Peter And The Wolf, Op.67 - Narration In German: Der Großvater: "Nun aber, nun kamen die Jäger aus dem Wald"	Sergei Prokofiev, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm	D♭ Major	1	3B	117 BPM
13 Pieces, Op. 76: No. 1 Esquisse	Jean Sibelius, Håvard Gimse	A Major	1	11B	141 BPM
Alexander Nevsky: II. Song about Alexander Nevsky	Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky	C Minor	0	5A	82 BPM
La Mer, L.109: 2. Play of the Waves (Jeux de vagues)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	1	12B	113 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM

ISRC: HKI191531304
Label: L-M Records/RCA Records

Section: 0.7814161777496338

End: 0.7860815525054932