"38 Waltzes, Ländler and Ecossaises, Op. 18, D.145, Ländler: No. 10 in D-Flat Major - No. 11 in D-Flat Major - No. 12 in D-Flat Major" by Franz Schubert, Pierre-Laurent Aimard had its release date on May 24, 2024. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Schubert: Ländler". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. 38 Waltzes, Ländler and Ecossaises, Op. 18, D.145, Ländler: No. 10 in D-Flat Major - No. 11 in D-Flat Major - No. 12 in D-Flat Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 38 Waltzes, Ländler and Ecossaises, Op. 18, D.145, Ländler: No. 10 in D-Flat Major - No. 11 in D-Flat Major - No. 12 in D-Flat Major by Franz Schubert, Pierre-Laurent Aimard having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Jahr, H-U 385: No. 7, Juli | Fanny Mendelssohn, Sophia Weidemann | D Minor | 1 | 7A | 64 BPM | ||
Drei Lieder ohne Worte Für Piano, Op. 6: I. Adagio | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
coincidences | Magui sadman | G Major | 1 | 9B | 160 BPM | ||
Miroirs, M.43: 1. Noctuelles | Maurice Ravel, Pierre-Laurent Aimard | G Major | 0 | 9B | 102 BPM | ||
Keyboard Sonata in E Major, Kk. 380 | Domenico Scarlatti, Guoda Gedvilaitė | E Major | 0 | 12B | 79 BPM | ||
Regrettably | Magui sadman | G Major | 1 | 9B | 160 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第11曲 僕のものだ! | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | D Major | 2 | 10B | 91 BPM | ||
Una Argentina en Paris | Cecilia Foj | F Major | 2 | 7B | 131 BPM | ||
ノクターン 第2番 変ホ長調 作品9-2 | Fujiko Hemming | B♭ Major | 0 | 6B | 126 BPM | ||
Mélodie in A-Flat Major | Louise Farrenc, Joanne Polk | A♭ Major | 1 | 4B | 68 BPM |