On November 8, 2011, the song "Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: V. Gigue" was released by Johann Sebastian Bach, Freiburger Barockorchester. The duration of Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: V. Gigue is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: V. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: V. Gigue by Johann Sebastian Bach, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
VI. Wohlan, so will ich mich (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Yeree Suh, Marie Seidler, Georg Poplutz, Daniel Ochoa | A♭ Major | 2 | 4B | 92 BPM | ||
Sonata for Lute No. 8 in A Major: II. Allemande | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 96 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Peasant Cantata, BWV 212: Aria: Ach es schmeckt doch gar zu gut | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | A♭ Major | 1 | 4B | 89 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: III. Finale Allegro molto | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 3 | 9A | 84 BPM | ||
Cello Concerto In B Flat: 3. Rondo (Allegro) | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 1. (Allegro) | Johann Sebastian Bach, Alan Civil, Shirley Hopkins, Karl Steins, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |
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