The Burden - Richard Meyer Information

Acousticness
65%
Danceability
74%
Energy
36%
Instrumentalness
0%
Liveness
12%
Loudness
81%
Speechiness
3%
Valence
57%
Popularity
Loudness
-11.569 dB

Summary

Richard Meyer made "The Burden" available on January 1, 1991. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 13 in Fast Folk Musical Magazine (Vol. 5, No. 6) Emotional Vices by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Burden's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

The Burden BPM

The tempo marking of The Burden by Richard Meyer is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

The Burden Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
No Future by Chuck Hancock, Richard Meyer, Jack Hardy, Mark DannNo FutureChuck Hancock, Richard Meyer, Jack Hardy, Mark DannA Minor38A95 BPM
Symphony No. 94 in G Major, Hob. I:94 Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. AndanteFranz Joseph Haydn, George Szell, Cleveland OrchestraC Major08B117 BPM
English Folk Song Suite: I. March (Seventeen Come Sunday) by Ralph Vaughan Williams, North Texas Wind Symphony, Eugene MigliaroEnglish Folk Song Suite: I. March (Seventeen Come Sunday)Ralph Vaughan Williams, North Texas Wind Symphony, Eugene MigliaroF Minor34A120 BPM
Guest Soloist by Richard Meyer, Alton Frailey, Beckendorff Junior High String Orchestra, Susan SteberGuest SoloistRichard Meyer, Alton Frailey, Beckendorff Junior High String Orchestra, Susan SteberG Major49B133 BPM
Air for Band by Frank Erickson, Rutgers Wind Ensemble, Rutgers Symphonic Band, William BerzAir for BandFrank Erickson, Rutgers Wind Ensemble, Rutgers Symphonic Band, William BerzC Minor15A173 BPM
Perseus - Live by Soon Hee Newbold, Texas Music Educators Association Region 25 Middle School Brahms Orchestra, Jennifer MartinPerseus - LiveSoon Hee Newbold, Texas Music Educators Association Region 25 Middle School Brahms Orchestra, Jennifer MartinG Major19B73 BPM
A Prehistoric Suite: IV. The Battle by Teresa Jennings, Paul Jennings, Rutgers Wind Ensemble, Rutgers Symphonic Band, William BerzA Prehistoric Suite: IV. The BattleTeresa Jennings, Paul Jennings, Rutgers Wind Ensemble, Rutgers Symphonic Band, William BerzE♭ Major55B119 BPM
Pelicans by Reeva Hunter, Mark McColl, Judith Zweiman, Richard MeyerPelicansReeva Hunter, Mark McColl, Judith Zweiman, Richard MeyerA Major411B107 BPM
Tocatta and Fugue in D Minor by Johann Sebastian Bach, The University of Illinois Symphonic Band, Dr. Harry BegianTocatta and Fugue in D MinorJohann Sebastian Bach, The University of Illinois Symphonic Band, Dr. Harry BegianD Minor17A82 BPM
Purgatorio From The Divine Comedy by Banda Amizade - Banda Sinfónica de Aveiro, Carlos MarquesPurgatorio From The Divine ComedyBanda Amizade - Banda Sinfónica de Aveiro, Carlos MarquesC Major18B72 BPM
ISRC
USSF19150609
Label
L-M Records/RCA Records

Section: 0.6300928592681885

End: 0.634443998336792