"Atys, Acte III, Scène 7: "Qu'Atys dans ses respects" (Cybèle)" by Jean-Baptiste Lully, Guillemette Laurens, Noemi Rime, Les Arts Florissants, William Christie was released on February 28, 1987. The duration of Atys, Acte III, Scène 7: "Qu'Atys dans ses respects" (Cybèle) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Atys, Acte III, Scène 7: "Qu'Atys dans ses respects" (Cybèle)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 24 out of 74. On top of that, France appears to be the country where this track was created. Atys, Acte III, Scène 7: "Qu'Atys dans ses respects" (Cybèle) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Atys, Acte III, Scène 7: "Qu'Atys dans ses respects" (Cybèle) by Jean-Baptiste Lully, Guillemette Laurens, Noemi Rime, Les Arts Florissants, William Christie to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act II Scene 5: Deuxième Air des Garçons Tailleurs | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Thibault de Damas, Nicholas Scott | B♭ Major | 5 | 6B | 103 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Le Bourgeois Gentilhomme: 1er menuet | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Renaud Tripathi, Francois-Nicolas Geslot | A Major | 2 | 11B | 69 BPM |
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