Stefano Donaudy, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel's 'Vaghissima sembrianza' came out on January 1, 2002. The duration of Vaghissima sembrianza is about 3 minutes long, at 3:27. Based on our data, "Vaghissima sembrianza" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 17 in Andrea Bocelli - Sentimento by Andrea Bocelli, London Symphony Orchestra, Lorin Maazel, Franz Liszt, Gioachino Rossini, Jacques Offenbach, Jean-Paul-Égide Martini, Joaquín Rodrigo, Luigi Denza, Francesco Paolo Tosti, Ruggero Leoncavallo, Stanislao Gastaldon, Stefano Donaudy. In terms of popularity, Vaghissima sembrianza is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaghissima sembrianza by Stefano Donaudy, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Ti Voglio Tanto Bene - Remastered | Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Steven Mercurio | D Major | 4 | 10B | 101 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Requiem: 3. Recordare | Andrew Lloyd Webber, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | A Minor | 1 | 8A | 136 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Pur Ti Miro | Claudio Monteverdi, Craig Leon, Natasha Marsh, Fernando Lima, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM |
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