"Viola Concerto in C Major: II. Adagio" by Jan Krtitel Vanhal, Prague Chamber Orchestra, Lubomír Malý had its release date on June 18, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaňhal, Benda: Viola Concertos by Lubomír Malý, Prague Chamber Orchestra. The song's track number on the album is #2 out of 6 tracks. In terms of popularity, Viola Concerto in C Major: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Viola Concerto in C Major: II. Adagio by Jan Krtitel Vanhal, Prague Chamber Orchestra, Lubomír Malý has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Viola Concerto in C Major: II. Adagio being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Concerto in E-Flat Major: I. Allegro moderato | Johann Baptist Vanhal, Edicson Ruiz, Simón Bolívar Symphony Orchestra Of Venezuela, Christian Vasquez | E♭ Major | 1 | 5B | 127 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Symphony In D Major, Bryan D17: Andante Molto - Allegro | Johann Baptist Vanhal, Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 135 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM |