"Hurdy-gurdy - Chanson (Joliveté et bone amor)" by Jehan d'Esquiri, David Munrow, Early Music Consort Of London was released on 1976. With Hurdy-gurdy - Chanson (Joliveté et bone amor) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Munrow, Early Music Consort Of London's "Instruments of Middle Age and Renaissance" album is number 14 out of 61. In terms of popularity, Hurdy-gurdy - Chanson (Joliveté et bone amor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hurdy-gurdy - Chanson (Joliveté et bone amor) by Jehan d'Esquiri, David Munrow, Early Music Consort Of London to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Has tu point veu | Adrian Le Roy, Baltimore Consort | C Major | 1 | 8B | 115 BPM | ||
Branles de Bourgoigne (arr. S. Berger) | Sven Berger, Jacques Moderne, Convivium Musicum | G Major | 6 | 9B | 127 BPM | ||
Friendship | Shafiqa Diana | E♭ Major | 0 | 5B | 180 BPM | ||
Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | E Minor | 2 | 9A | 103 BPM | ||
Hymn to Dionysus No. 30 | Georgi Arnaoudov, The Orphic Ensemble, Theodora Pavlovich | C Minor | 2 | 5A | 124 BPM | ||
Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
En una noche oscura | Brian Henderson, Brien Henderson | C Major | 1 | 8B | 79 BPM | ||
Nuls om en ren: melody only | Aimeric de Belenoi, Martin Best Mediaeval Ensemble | A Minor | 0 | 8A | 112 BPM | ||
Hymn to the Muse by Mesomedes | Petros Tabouris, Dafni Panourgia | B Minor | 1 | 10A | 94 BPM |
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