Pierre Boulez, Ingrid Karlen's 'Douze notations pour piano: 6. Rapide' came out on April 7, 1997. With Douze notations pour piano: 6. Rapide being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Webern, Silvestrov, Boulez:Variations by Ingrid Karlen. The song's track number on the album is #12 out of 18 tracks. The popularity of Douze notations pour piano: 6. Rapide is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Douze notations pour piano: 6. Rapide by Pierre Boulez, Ingrid Karlen has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Douze notations pour piano: 6. Rapide being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | A Major | 1 | 11B | 174 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
L'Oiseau de feu, K010: XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allégresse générale | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 2 | 1B | 82 BPM | ||
4 Lieder für Sopran und Kammerorchester, Op.13: II. Die Einsame | Anton Webern, Pierre Boulez | F Major | 0 | 7B | 114 BPM |
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