Manuel Ponce, Davide Ficco's 'Sonata for guitar and harpsichord - allegro non troppo e piacevole, vivo' came out on May 16, 2011. The duration of Sonata for guitar and harpsichord - allegro non troppo e piacevole, vivo is about 3 minutes long, at 3:24. Based on our data, "Sonata for guitar and harpsichord - allegro non troppo e piacevole, vivo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Manuel Ponce, Davide Ficco's "Manuel Maria Ponce - Chamber and Solo Music for Guitar" album is number 4 out of 41. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sonata for guitar and harpsichord - allegro non troppo e piacevole, vivo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata for guitar and harpsichord - allegro non troppo e piacevole, vivo by Manuel Ponce, Davide Ficco to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Twenty-Four Preludes: I. Moderato | Manuel Ponce, Davide Ficco | C Major | 1 | 8B | 139 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Granados: 12 Danzas españolas: No. 5, Andaluza | Enrique Granados, Manuel Barrueco | C Minor | 0 | 5A | 97 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM | ||
Var VII-X from "Theme, Variations and Fuga on 'Las Folias' (feat. Manuel Maria Ponce) | Thomas Viloteau, Manuel Ponce | D Minor | 0 | 7A | 89 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM |
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