Francois-Joseph Gossec, Eva Csapo, Hildegard Laurich, Alessandro Corbelli, Cologne West German Radio Chorus, Cappella Coloniensis, Herbert Schernus's 'Grande Messe des Morts: Sequentia: Confutatis' came out on January 1, 2005. The duration of Grande Messe des Morts: Sequentia: Confutatis is about 3 minutes long, at 3:25. Based on our data, "Grande Messe des Morts: Sequentia: Confutatis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Francois-Joseph Gossec, Herbert Schernus's "Gossec, F.-J.: Grande Messe Des Morts" album is number 11 out of 22. On top of that, United States appears to be the country where this track was created. Grande Messe des Morts: Sequentia: Confutatis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: Sequentia: Confutatis by Francois-Joseph Gossec, Eva Csapo, Hildegard Laurich, Alessandro Corbelli, Cologne West German Radio Chorus, Cappella Coloniensis, Herbert Schernus to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Symphony in C Minor, Op. 6, No. 3: III. Fugato | Francois-Joseph Gossec, Concerto Köln | E♭ Major | 1 | 5B | 148 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Gossec : Requiem : X Quid sum miser | Francois-Joseph Gossec, Louis Devos, Musica Polyphonica | B Major | 2 | 1B | 119 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM |
Section: 1.2674055099487305
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