Christoph Willibald Gluck, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti's 'Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore)' came out on May 18, 2018. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 9 out of 32. The popularity of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) by Christoph Willibald Gluck, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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