"Fauré: Requiem (Sanctus) - Faultline Rework" by Gabriel Fauré, Netherlands Radio Chorus, Rotterdam Philharmonic Orchestra, Jean Fournet, Faultline was released on July 15, 2016. With this song being about 5 minutes long, at 4:36, "Fauré: Requiem (Sanctus) - Faultline Rework" by Gabriel Fauré, Netherlands Radio Chorus, Rotterdam Philharmonic Orchestra, Jean Fournet, Faultline is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "re:works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Fauré: Requiem (Sanctus) - Faultline Rework is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fauré: Requiem (Sanctus) - Faultline Rework by Gabriel Fauré, Netherlands Radio Chorus, Rotterdam Philharmonic Orchestra, Jean Fournet, Faultline having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Insulation Mix (after G.F. Handel's Messiah) | Scanner | E Minor | 2 | 9A | 133 BPM | ||
Parkstone Melody II | Mark Pritchard | F Minor | 7 | 4A | 151 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
Lux Aeterna | Forss | E♭ Minor | 5 | 2A | 121 BPM | ||
The Golden Cockerel - Suite (Le coq d'or): 3. Tsar Dodon as Guest of the Queen of Shemakha | Nikolai Rimsky-Korsakov, Rotterdam Philharmonic Orchestra, David Zinman | A Major | 2 | 11B | 97 BPM | ||
Pagliacci - Act 1: "Un grande spettacolo!" | Ruggero Leoncavallo, José Cura, Carlos Álvarez, Adrian Folea, Charles Castronovo, Netherlands Radio Chorus, National Kinderkoor, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 78 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: 1. Adagio - Allegro | Louis Spohr, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 128 BPM | ||
Paper | Poppy Ackroyd, Mike Lesirge, Jo Quail, Joe Acheson, Mandy Parnell | F Minor | 5 | 4A | 115 BPM | ||
Momentum | Nils Frahm | A♭ Minor | 1 | 1A | 143 BPM | ||
L'Apprenti sorcier | Paul Dukas, Rotterdam Philharmonic Orchestra, David Zinman | F Minor | 3 | 4A | 94 BPM |
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