The Kneller Hall State Trumpeters, The Regimental Band of the Coldstream Guards, Laurie Johnson made "Coronation" available on January 1, 1973. The duration of Coronation is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Coronation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Regimental Band of the Coldstream Guards, The Kneller Hall State Trumpeters, Laurie Johnson's "Kpm 1000 Series: A History of War and Peace" album is number 14 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Coronation's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Coronation by The Kneller Hall State Trumpeters, The Regimental Band of the Coldstream Guards, Laurie Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Revolution Devours Its Children | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
El Alcance del Tiempo | Sirenas Celestiales | F Minor | 0 | 4A | 108 BPM | ||
La morada de las mariposas | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 80 BPM | ||
Painted Skind | James Wong | B Major | 2 | 1B | 93 BPM | ||
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM | ||
Collage über B-A-C-H: III. Ricercare | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson | B♭ Minor | 0 | 3A | 82 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Ingenuity | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 1 | 6B | 137 BPM |
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