On April 5, 1993, the song "Satie: Descriptions automatiques: No. 2, Sur une lanterne" was released by Erik Satie, Anne Queffélec. With Satie: Descriptions automatiques: No. 2, Sur une lanterne being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Satie - Piano Works". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Satie: Descriptions automatiques: No. 2, Sur une lanterne is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Satie: Descriptions automatiques: No. 2, Sur une lanterne by Erik Satie, Anne Queffélec having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Piano Sonata No. 2 in D Minor, Op. 14: III. Andante | Sergei Prokofiev, Matti Raekallio | A♭ Minor | 0 | 1A | 64 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | ||
Suite française d'après Claude Gervaise, FP 80b: III. Petite marche militaire | Francis Poulenc | B♭ Major | 3 | 6B | 76 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D Major | 3 | 10B | 120 BPM | ||
Satie: Vieux séquins et vieilles cuirasses: No. 2, Danse cuirassée | Erik Satie, Anne Queffélec | G Major | 2 | 9B | 93 BPM | ||
Miroirs, M. 43: I. Noctuelles | Maurice Ravel, Alexander Krichel | B♭ Minor | 0 | 3A | 65 BPM | ||
Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.4 in E minor: Prelude | Dmitri Shostakovich, Vladimir Ashkenazy | E Minor | 0 | 9A | 66 BPM | ||
Visions fugitives, Op. 22: III. Allegretto | Sergei Prokofiev, Steven Osborne | A Major | 0 | 11B | 73 BPM |
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