Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 5 in A Minor: CVI. Courante" available on June 30, 2023. The duration of Harpsichord Suite No. 5 in A Minor: CVI. Courante is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Harpsichord Suite No. 5 in A Minor: CVI. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 5 in A Minor: CVI. Courante is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 5 in A Minor: CVI. Courante by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita GWV 150: IV. Sarabande | Christoph Graupner, Geneviève Soly | B Minor | 1 | 10A | 145 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Pieces de clavecin: Suite in E Minor: IX. Tambourin | Jean-Philippe Rameau, Gilbert Rowland | C Minor | 8 | 5A | 143 BPM | ||
テレマン: フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 〜第3楽章 | Georg Philipp Telemann, 有田正広, ラ・ストラヴァガンツァ・ケルン | F♯ Major | 5 | 2B | 136 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Macbeth: Music Before the Play - Birks of Invermay | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 80 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM |
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