- BPM
- 85
- Key
- B♭ Minor
- Camelot
- 3A
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live - Richard Strauss, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm Information
- Acousticness
- 93%
- Danceability
- 19%
- Energy
- 15%
- Instrumentalness
- 2%
- Liveness
- 42%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -21.835 dB
Summary
"Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live" by Richard Strauss, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. The duration of Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live is about 3 minutes long, at 3:26. Based on our data, "Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live BPM
With Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live by Richard Strauss, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Ist mein Liebster dahin? - Live Key
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b) | Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | |
 | Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | |
 | Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | |
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra | D Major | 2 | 10B | 95 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM |
- ISRC
- DEF057730303
- Label
- L-M Records/RCA Records
Section: 0.9544274806976318
End: 0.9579603672027588