On 1987, the song "Bach, J.S.: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Without tempo indication)" was released by Johann Sebastian Bach, Timothy Brown/Nicholas Hill/Graham Sheen/Celia Nicklin/George Caird/Caroline Marwood/Alan Loveday/George Malcolm/Sir Neville Marriner, Sir Neville Marriner, Academy of St. Martin in the Fields. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 43 in Bach: Brandenburg Concertos - Orchestral Suites by Johann Sebastian Bach, Sir Neville Marriner. The popularity of Bach, J.S.: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Without tempo indication) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, J.S.: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Without tempo indication) by Johann Sebastian Bach, Timothy Brown/Nicholas Hill/Graham Sheen/Celia Nicklin/George Caird/Caroline Marwood/Alan Loveday/George Malcolm/Sir Neville Marriner, Sir Neville Marriner, Academy of St. Martin in the Fields is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Albinoni: Concerto a cinque in C Major, Op. 10 No. 3: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | A Minor | 2 | 8A | 86 BPM | ||
Sonata in C Major, Kk.72 | Domenico Scarlatti, Alexandre Tharaud | G Major | 3 | 9B | 154 BPM | ||
12 Concerti Grossi - Orch. Ch. Avison - Concerto No.6 in D: 1. Largo | Domenico Scarlatti, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 78 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
12 Violin Concertos, Op.4 - "La stravaganza" - Concerto No. 3 in G Major, RV 301: 2. Largo | Antonio Vivaldi, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Concerto in D minor for flute String Orchestra and Continuo H. 425 (Wq 22) | Carl Philipp Emanuel Bach, Raffaele Trevisani, Constantine Orbelian, Moscow Chamber Orchestra | C Major | 2 | 8B | 74 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Larghetto e spiritoso | David Oistrakh, Igor Oistrakh | D Minor | 0 | 7A | 178 BPM |
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