Burt Bacharach, Graham Bickley, Mary Carewe, Alison Jiear, Sarah Lark, Royal Philharmonic Orchestra, Richard Balcombe's 'Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra)' came out on June 4, 2013. The duration of Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra) is about 3 minutes long, at 3:23. Based on our data, "Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What the World Needs Now (The Music of Burt Bacharach) by Burt Bacharach, Royal Philharmonic Orchestra, Richard Balcombe. The song's track number on the album is #21 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra) by Burt Bacharach, Graham Bickley, Mary Carewe, Alison Jiear, Sarah Lark, Royal Philharmonic Orchestra, Richard Balcombe has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Night Shift: That's What Friends Are for (Arr. R. Balcombe for vocal ensemble and orchestra) being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ebb Tide | Frank Chacksfield, Frank Chacksfield Orchestra | C Major | 5 | 8B | 79 BPM | ||
Arthur: Arthur's Theme (Best That You Can Do) [arr. R. Balcombe for vocal ensemble and orchestra] | Burt Bacharach, Graham Bickley, Mary Carewe, Alison Jiear, Sarah Lark, Royal Philharmonic Orchestra, Richard Balcombe | A Major | 4 | 11B | 136 BPM | ||
I'd Do It for Your Love | Paul Simon | B Minor | 3 | 10A | 77 BPM | ||
Shangri-La - Remastered | The Lettermen | F Major | 2 | 7B | 124 BPM | ||
Wedding Bell Blues | Laura Nyro | A Minor | 6 | 8A | 110 BPM | ||
Don't Let The Sun Catch You Crying (Re-Recorded) | Gerry & The Pacemakers | D♭ Major | 3 | 3B | 107 BPM | ||
Don't Let the Sun Catch You Crying (Main) - Mono | Gerry & The Pacemakers | D♭ Major | 4 | 3B | 107 BPM | ||
Hurt So Bad | The Lettermen | D Minor | 5 | 7A | 102 BPM | ||
Fool If You Think It's Over | Elkie Brooks | A♭ Minor | 3 | 1A | 109 BPM | ||
Rio Nights | Shakatak | F Major | 4 | 7B | 110 BPM |
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