Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae - Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra Information

Acousticness: 92%
Danceability: 20%
Energy: 11%
Instrumentalness: 61%
Liveness: 8%
Loudness: 66%
Speechiness: 3%
Valence: 31%
Popularity: 13%
Loudness: -20.116 dB

Summary

Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra's 'Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae' came out on February 12, 2008. The duration of Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, London Symphony Orchestra, Sir Colin Davis's "Mozart: Requiem" album is number 4 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae BPM

We consider the tempo marking of Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae by Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae Key

The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie	Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden	G Minor	3	6A	115 BPM
Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo)	Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic	B♭ Major	2	6B	88 BPM
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)	Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch	A Major	1	11B	133 BPM
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa"	Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge	D♭ Major	3	3B	89 BPM
Messe in C-Moll, K. 427 "Große Messe" (Reconstructed by C. Kemme): I. Kyrie [Live]	Wolfgang Amadeus Mozart, Christina Landshamer, Bavarian Radio Chorus, Akademie für Alte Musik Berlin, Howard Arman	E Major	6	12B	98 BPM
Wesendonck Lieder, WWV 91: Schmerzen	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	132 BPM
Requiem in D Minor, K. 626: III. Sequentia: No. 1, Dies irae	Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations	A Minor	6	8A	78 BPM
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea	Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli	C Major	1	8B	86 BPM
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum	Wolfgang Amadeus Mozart, Barbara Hendricks, Academy of St Martin in the Fields Chorus, Sir Neville Marriner, Academy of St. Martin in the Fields	G Major	8	9B	85 BPM
Ein deutsches Requiem, Op. 45: 7. Chor: "Selig sind die Toten, die in dem Herrn sterben"	Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	F Major	0	7B	75 BPM

ISRC: GBDGQ0712704
Label: L-M Records/RCA Records

Section: 0.8217885494232178

End: 0.8252058029174805