"4 Petites prieres de Saint Francois d'Assise, FP 142: No. 2. Tout Puissant, tres saint (Majestueux et eclatant)" by Francis Poulenc, The King's Singers had its release date on October 2, 2012. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Pater Noster: A Choral Reflection on the Lord's Prayer". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 4 Petites prieres de Saint Francois d'Assise, FP 142: No. 2. Tout Puissant, tres saint (Majestueux et eclatant)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Petites prieres de Saint Francois d'Assise, FP 142: No. 2. Tout Puissant, tres saint (Majestueux et eclatant) by Francis Poulenc, The King's Singers having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo Dell'Attesa. Antifona Alla Comunione: Ecce Virgo | Canonici Regolari Si Sant'Antimo | E♭ Minor | 1 | 2A | 77 BPM | ||
Domine, Non Sum Dignus | Amor Artis Chamber Choir | A Minor | 1 | 8A | 92 BPM | ||
Nonsense Madrigals: VI. A Long, Sad Tale | György Ligeti, The King's Singers | G Major | 1 | 9B | 75 BPM | ||
Alive | Francesca Amewudah-Rivers, The King's Singers | E Minor | 2 | 9A | 75 BPM | ||
Mundy: Vox Patris Caelestis - 4. Surge, Propera | The Tallis Scholars, Peter Phillips | A♭ Major | 1 | 4B | 86 BPM | ||
Ultimi mei sospiri - 1989 Digital Remaster | Philippe Verdelot, The King's Singers | D Minor | 1 | 7A | 88 BPM | ||
Beati mortui | Dominican House of Studies | D♭ Major | 2 | 3B | 87 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
O pater omnium ("Symphonia viduarum", fol. 478v) | Hildegard von Bingen, Sequentia, Barbara Thornton, Benjamin Bagby | A Minor | 0 | 8A | 130 BPM | ||
Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM |