Ronald Stevenson, Christopher Guild's 'Barra Flyting Toccata' came out on February 1, 2019. With Barra Flyting Toccata being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Stevenson: Piano Music, Vol. 3". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Barra Flyting Toccata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barra Flyting Toccata by Ronald Stevenson, Christopher Guild having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces for Organ: No. 3. Prelude, fugue et variation in B Minor, Op. 18, M. 30 (arr. I. Friedman for piano) | Ignaz Friedman, César Franck, Joseph Banowetz | B Minor | 0 | 10A | 179 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
9 Haiku (Arr. for Solo Piano): No. 4, Nocturne | Ronald Stevenson, Christopher Guild | A Major | 0 | 11B | 77 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
Les tendres plaintes--Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
Nocturne No.7 in A Major, H.14 | John Field, Elizabeth Joy Roe | A Major | 0 | 11B | 137 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM |
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