That Great Come-And-Get-It Day
Don Francks, Petula Clark, The Ken Darby Singers & Ensemble
Finian's Rainbow O.S.T.
3:48 March 18, 2004
BPM
102
Key
C Major
Camelot
8B

Embed

Share Link

That Great Come-And-Get-It Day - Don Francks, Petula Clark, The Ken Darby Singers & Ensemble Information

Acousticness
90%
Danceability
50%
Energy
32%
Instrumentalness
0%
Liveness
12%
Loudness
81%
Speechiness
4%
Valence
64%
Popularity
Loudness
-11.676 dB

Summary

Don Francks, Petula Clark, The Ken Darby Singers & Ensemble made "That Great Come-And-Get-It Day" available on March 18, 2004. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 17 in Finian's Rainbow O.S.T. by Various Artists. In terms of popularity, That Great Come-And-Get-It Day is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

That Great Come-And-Get-It Day BPM

The tempo marking of That Great Come-And-Get-It Day by Don Francks, Petula Clark, The Ken Darby Singers & Ensemble is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

That Great Come-And-Get-It Day Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Poor Wandering One by Linda RonstadtPoor Wandering OneLinda RonstadtA♭ Major24B86 BPM
Pick-A-Little, Talk-A-Little by Hermione Gingold, The BiddysPick-A-Little, Talk-A-LittleHermione Gingold, The BiddysG Major59B140 BPM
He's Sure the Boy I Love by Anika Larsen, Jarrod SpectorHe's Sure the Boy I LoveAnika Larsen, Jarrod SpectorD♭ Major73B142 BPM
Freedom by Chip Ford, Donna TheodoreFreedomChip Ford, Donna TheodoreA Major411B154 BPM
On the Good Ship Lollipop by Shirley TempleOn the Good Ship LollipopShirley TempleG Minor56A130 BPM
Give My Regards to Broadway by Joel Grey, George M! EnsembleGive My Regards to BroadwayJoel Grey, George M! EnsembleC Major58B137 BPM
You Gotta S-M-I-L-E to Be H-A-P-P-Y by Shirley TempleYou Gotta S-M-I-L-E to Be H-A-P-P-YShirley TempleG Major69B144 BPM
Goodnight My Love by Shirley TempleGoodnight My LoveShirley TempleB♭ Major16B75 BPM
The Happiest Girl Alive - From The Happiest Girl Alive - From "The One and Only Genuine Original Family Band"Lesley Ann WarrenA Major311B90 BPM
Adelaide by Frank Sinatra (performer), Guys and Dolls ChorusAdelaideFrank Sinatra (performer), Guys and Dolls ChorusB Major31B95 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.559985876083374

End: 0.5643653869628906