"Lamentations Ieremiae Prophetae: Misericordiae Domini" by Alonso Lobo, Tenebrae, Nigel Short was released on March 28, 2011. With Lamentations Ieremiae Prophetae: Misericordiae Domini being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #15 out of 32 tracks. Lamentations Ieremiae Prophetae: Misericordiae Domini is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Misericordiae Domini by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lamentations Ieremiae Prophetae: Misericordiae Domini being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
Remembrance | Will Todd, Tenebrae, James Sherlock, Nigel Short, English Chamber Orchestra | G Major | 2 | 9B | 78 BPM | ||
Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | D♭ Major | 1 | 3B | 110 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Requiem: I heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
Flos florum | Guillaume Dufay, Blue Heron, Scott Metcalfe | G Minor | 1 | 6A | 68 BPM | ||
All-night Vigil, Op. 37, "Vespers": Psalm 134-135 (135-136), "O praise the name of the Lord" | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 1 | 4B | 87 BPM | ||
Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM | ||
Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
Insanae et vanae curae, Hob. XXI: 3c | Franz Joseph Haydn, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 1 | 7B | 69 BPM |
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