Prague Opera OrchestrPrague Opera Orchestra's 'La Traviata, Sempre Libera, (De "Las Aventuras de Priscilla")' came out on October 12, 2012. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Opera Goes to Movies Vol. 5". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. La Traviata, Sempre Libera, (De "Las Aventuras de Priscilla") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Traviata, Sempre Libera, (De "Las Aventuras de Priscilla") by Prague Opera OrchestrPrague Opera Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Clarinet Concerto in A Major, K. 622 - Version for Basset Clarinet: 2. Adagio - Live | Craig Hill, Australian Brandenburg Orchestra, Paul Dyer | A Major | 0 | 11B | 105 BPM | ||
Concierto Para Flauta En Fa Mayor Op 10/5. Largo | Filarmónica Y Coro De Praga | C Minor | 2 | 5A | 88 BPM | ||
Nocturne No. 11 in G Minor, Op. 37 | Frédéric Chopin, Dubravka Tomšič | E♭ Major | 1 | 5B | 127 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Fantasy For Piano No.2 D Minor KV.397 | Sylvia Capova | A Major | 0 | 11B | 144 BPM |
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