"We'll Meet Again" by Gus Kahn, Rudolf Friml, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra was released on April 23, 2001. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rudolf Friml, Herbert Stothart, Gus Kahn, Vera Lynn, Bert Ambrose Orchestra's "Lynn, Vera: The Early Years, Vol. 1 (1936-1939)" album is number 20 out of 20. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, We'll Meet Again is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We'll Meet Again by Gus Kahn, Rudolf Friml, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring Fashion | Group-Forty Orchestra, Laurie Johnson | G Major | 3 | 9B | 83 BPM | ||
Happy Days and Lonely Nights | Ruth Etting | A♭ Major | 2 | 4B | 116 BPM | ||
I Used to Be Color Blind | Ginger Rogers | C Minor | 2 | 5A | 146 BPM | ||
Main Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | F Major | 2 | 7B | 84 BPM | ||
Sailor with the Navy Blue Eyes | Spike Jones | E♭ Major | 3 | 5B | 169 BPM | ||
Calling All Workers | Eric Coates, Light Symphony Orchestra | C Major | 3 | 8B | 142 BPM | ||
Ez történt Lellén | Gus Kahn, Walter Donaldson, Iván Darvas | B♭ Major | 7 | 6B | 112 BPM | ||
I Talk to the Trees | Tony Bavaar | G Major | 2 | 9B | 133 BPM | ||
Ah, But is It Love | Adrian Rollini, Adrian Rollini's Orchestra | C Major | 2 | 8B | 109 BPM | ||
Underneath the Arches | Flanagan & Allen | A♭ Major | 4 | 4B | 161 BPM |
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