"Catulli Carmina: Actus III: Odi et amo" by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum was released on January 1, 2002. Since Catulli Carmina: Actus III: Odi et amo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Catulli Carmina: Actus III: Odi et amo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Catulli Carmina: Actus III: Odi et amo by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | D Major | 4 | 10B | 91 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Ellens Gesang III, Op. 52, No. 6, D. 839 "Ave Maria" | Franz Schubert, Hera Hyesang Park, Sarah Tysman | B♭ Major | 1 | 6B | 81 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Clair de lune | Claude Debussy, Finghin Collins | D♭ Major | 0 | 3B | 71 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM |
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