Raazia Begum, Reena, Azim, Amir Chand, Shekhar Ravjiani, Sharafat Ali, Ishrat Ali made "Stah Posh, Pt. 2" available on May 25, 1995. Since Stah Posh, Pt. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Tamasha, Vol. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Stah Posh, Pt. 2 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Stah Posh, Pt. 2 by Raazia Begum, Reena, Azim, Amir Chand, Shekhar Ravjiani, Sharafat Ali, Ishrat Ali having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chalte Chalte Yun Hi Koi | Lata Mangeshkar | B♭ Minor | 4 | 3A | 87 BPM | ||
Kisi Meharban Ne Aake (From "Shama") | Nahid Akhtar | A Minor | 5 | 8A | 123 BPM | ||
Main Diggi Tilak Ke | Surinder Shinda, Surinder Sonia | F♯ Major | 8 | 2B | 138 BPM | ||
Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
Ghunghat Ke Pat Khol | Geeta Dutt | C Minor | 1 | 5A | 102 BPM | ||
Vikral Gada Haath Mein Wo Taan Jab Chale | Lakhbir Singh Lakkha | A♭ Major | 5 | 4B | 160 BPM | ||
Mhane Babe Ra Darshan | Gopal Bajaj | A♭ Major | 5 | 4B | 109 BPM | ||
Akh Lari Bado Badi | Noor Jehan | D Minor | 4 | 7A | 126 BPM | ||
Reh Gaye Bha Puchde | Didar Sandhu, Surinder Kaur | D♭ Minor | 4 | 12A | 98 BPM | ||
Chali Aana Too | Amit Kumar, Alka Yagnik | G Major | 8 | 9B | 107 BPM |
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