Errollyn Wallen, Rebeca Omordia, BBC Concert Orchestra, John Andrews made "Piano Concerto: III. Tender" available on March 24, 2023. The duration of Piano Concerto: III. Tender is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Piano Concerto: III. Tender's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martin Jones, Rebeca Omordia, John Andrews, BBC Concert Orchestra's "Maconchy, Lutyens & Wallen: Works for Piano & Orchestra" album is number 9 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Piano Concerto: III. Tender's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Piano Concerto: III. Tender by Errollyn Wallen, Rebeca Omordia, BBC Concert Orchestra, John Andrews to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
Femina Feminae I. Bergère Nue Couchée | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Timo Andres: Upstate Obscura: 1. Valley of Strange Shapes | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Three Ships: III. Always Sky | Errollyn Wallen, Tom Kerstens | D♭ Minor | 0 | 12A | 90 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM |
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