"Birds of the Psalms: VII. Psalm 148 (Live)" by Patricia Van Ness, Cappella Clausura, Amelia Leclair was released on July 13, 2018. With Birds of the Psalms: VII. Psalm 148 (Live) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Patricia Van Ness: Birds of the Psalms (Live)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Birds of the Psalms: VII. Psalm 148 (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birds of the Psalms: VII. Psalm 148 (Live) by Patricia Van Ness, Cappella Clausura, Amelia Leclair having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
The Voice of the Tenth Muse: I Pray | Patricia Van Ness, Ruth Cunningham, Coro Allegro, David Hodgkins | C Minor | 1 | 5A | 64 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM | ||
Flowers | Caroline Charrière, Schweizer Jugendchor, Nicolas Fink | A Minor | 1 | 8A | 96 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
Love Without Borders | Voices From Heaven | C Minor | 9 | 5A | 100 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Minor | 0 | 5A | 73 BPM |
Section: 0.595407247543335
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