"Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo" by Dmitry Kabalevsky, Torleif Thedéen, Hannover Radio Philharmonic Orchestra, Eiji Oue was released on January 28, 2014. Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Dmitry Kabalevsky, Torleif Thedéen, Eiji Oue, Adrian Prabava's "Kabalevsky: Cello Concertos - Colas Breugnon Suite" album is number 2 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo by Dmitry Kabalevsky, Torleif Thedéen, Hannover Radio Philharmonic Orchestra, Eiji Oue to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
6 Preludes and Fugues, Op. 61: Prelude and Fugue No. 3 in E Minor, "An Evening Song Beyond The River" | Dmitry Kabalevsky, Alexandre Dossin | E Minor | 0 | 9A | 132 BPM | ||
Cello Concerto No. 1 In G Minor, Op. 49: I. Allegro | Moscow Symphony Orchestra, Alexander Rudin, Dmitry Kabalevsky | D Minor | 0 | 7A | 88 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Fantasie in B Minor, Op. 28 | Alexander Scriabin, Xiayin Wang | B♭ Major | 1 | 6B | 69 BPM | ||
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 2 in A Major: I. Moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 112 BPM |
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