"Vierne: Carillon de Longpoint" by Malcolm Archer was released on October 20, 2007. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Sounds Magnificent". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Vierne: Carillon de Longpoint is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vierne: Carillon de Longpoint by Malcolm Archer having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626 "Missa pro Defunctis": IIId. Recordare | Wolfgang Amadeus Mozart, Sarah Fox, Diana Moore, John Mark Ainsley, Ashley Riches, Winchester College Chapel Choir, London Mozart Players, Malcolm Archer | F Major | 1 | 7B | 77 BPM | ||
Psalm 136 (Constance) | Independent Presbyterian Church Savannah, Scottish Festival Singers | E♭ Major | 2 | 5B | 95 BPM | ||
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
Come, Thou Fount of Every Blessing | Harvard University Choir | E♭ Major | 2 | 5B | 78 BPM | ||
Create in Me a Clean Heart | The Concordia Choir | E Major | 0 | 12B | 84 BPM | ||
I Am the Good Shepherd | unknown origin, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
L'Organiste moderne, 6e Livraison: No. 2, Marche in E-Flat Major | Louis James Alfred Lefébure-Wély, Malcolm Archer | B♭ Major | 2 | 6B | 105 BPM | ||
Let The Lower Lights Be Burning | Bliss, Ely Cathedral Choir, Paul Trepte | B♭ Major | 2 | 6B | 81 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM | ||
O Filii Et Filiae | Salt Lake Vocal Artists | A♭ Major | 1 | 4B | 134 BPM |
Section: 0.5608623027801514
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