- BPM
- 128
- Key
- G Minor
- Camelot
- 6A
Hans Christian Andersen: I'm Hans Christian Andersen - Danny Kaye, Jane Wyman, Gordon Jenkins Chorus, Gordon Jenkins And Orchestra, Gordon Jenkins Information
- Acousticness
- 82%
- Danceability
- 35%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 21%
- Popularity
- 0%
- Loudness
- -21.01 dB
Summary
Danny Kaye, Jane Wyman, Gordon Jenkins Chorus, Gordon Jenkins And Orchestra, Gordon Jenkins's 'Hans Christian Andersen: I'm Hans Christian Andersen' came out on July 27, 2010. The duration of Hans Christian Andersen: I'm Hans Christian Andersen is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Hans Christian Andersen: I'm Hans Christian Andersen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Where's Charley? (Original London Cast 1958) by Michael Collins. The song's track number on the album is #15 out of 25 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Hans Christian Andersen: I'm Hans Christian Andersen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Hans Christian Andersen: I'm Hans Christian Andersen BPM
Since Hans Christian Andersen: I'm Hans Christian Andersen by Danny Kaye, Jane Wyman, Gordon Jenkins Chorus, Gordon Jenkins And Orchestra, Gordon Jenkins has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Hans Christian Andersen: I'm Hans Christian Andersen being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
Hans Christian Andersen: I'm Hans Christian Andersen Key
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Aba Daba Honeymoon | Debbie Reynolds | F Minor | 6 | 4A | 103 BPM | |
 | The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | |
 | It Ain't Gonna Rain No Mo' | Wendell Hall | F Major | 2 | 7B | 158 BPM | |
 | Willow, Willow Waley/Pass The Basket | Danny Kaye | F Major | 5 | 7B | 121 BPM | |
 | Two by Two: The Covenant | Richard Rodgers, Danny Kaye, Jay Blackton | E♭ Major | 2 | 5B | 126 BPM | |
 | The Drunkard Song (There Is a Tavern in the Town) | Rudy Vallee | C Major | 5 | 8B | 112 BPM | |
 | On The Street Where You Live | Vic Damone | B♭ Major | 4 | 6B | 128 BPM | |
 | Aba Daba Honeymoon | Debbie Reynolds | G Minor | 4 | 6A | 133 BPM | |
 | When The Red, Red Robin Comes Bob, Bob, Bobbin' Along | Dion & The Belmonts | G Major | 7 | 9B | 164 BPM | |
 | Lady in the Dark: Tchaikovsky (and Other Russians) | Kurt Weill, Danny Kaye, Studio Chorus, Maurice Abravanel | D Major | 3 | 10B | 129 BPM |
- ISRC
- HKI190913115
- Label
- L-M Records/RCA Records
Section: 0.47588181495666504
End: 0.4796271324157715