"Mussorgsky: Boris Godunov, Act 4: Entry of the Jesuits. "Domine, domine, salvum fac" (Chorus, Lavitsky, Chernikovsky, Varlaam, Misail)" by Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Chœurs russes de Paris, Eugène Bousquet, Raymond Bonte, Orchestre National Radiodiffusion Française was released on January 26, 2024. The duration of Mussorgsky: Boris Godunov, Act 4: Entry of the Jesuits. "Domine, domine, salvum fac" (Chorus, Lavitsky, Chernikovsky, Varlaam, Misail) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Mussorgsky: Boris Godunov, Act 4: Entry of the Jesuits. "Domine, domine, salvum fac" (Chorus, Lavitsky, Chernikovsky, Varlaam, Misail)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Boris Christoff, Nicolai Gedda, Eugenia Zareska, Kim Borg, Orchestre National Radiodiffusion Française, Issay Dobrowen's "Mussorgsky: Boris Godunov" album is number 46 out of 53. On top of that, France appears to be the country where this track was created. Mussorgsky: Boris Godunov, Act 4: Entry of the Jesuits. "Domine, domine, salvum fac" (Chorus, Lavitsky, Chernikovsky, Varlaam, Misail) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mussorgsky: Boris Godunov, Act 4: Entry of the Jesuits. "Domine, domine, salvum fac" (Chorus, Lavitsky, Chernikovsky, Varlaam, Misail) by Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Chœurs russes de Paris, Eugène Bousquet, Raymond Bonte, Orchestre National Radiodiffusion Française to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 110 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
Section: 0.7297646999359131
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