- BPM
- 137
- Key
- A♭ Major
- Camelot
- 4B
Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я" - Pyotr Ilyich Tchaikovsky, Galina Vishnevskaya, Boris Khaikin, Борис Хайкин, Оркестр Большого театра Information
- Acousticness
- 94%
- Danceability
- 31%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 29%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -19.567 dB
Summary
"Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я"" by Pyotr Ilyich Tchaikovsky, Galina Vishnevskaya, Boris Khaikin, Борис Хайкин, Оркестр Большого театра was released on September 23, 2016. Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я" appears to be safe for all ages as it is not explicit. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я"" is a single. Based on our statistics, Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я" BPM
The tempo marking of Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я" by Pyotr Ilyich Tchaikovsky, Galina Vishnevskaya, Boris Khaikin, Борис Хайкин, Оркестр Большого театра is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Евгений Онегин, соч. 24, действие I картина 2: Письмо Татьяны "Пускай погибну я" Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | |
 | Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | |
 | Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | |
 | Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | |
 | Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 138 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | |
 | Giselle: Valse | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | |
 | The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | |
 | Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6870198249816895
End: 0.6913588047027588