- BPM
- 143
- Key
- D Minor
- Camelot
- 7A
LEGO Ninjago Taking the Bait (Original Score) - Live - Ninjago Music, Jay Vincent, Michael Kramer Information
- Acousticness
- 3%
- Danceability
- 29%
- Energy
- 74%
- Instrumentalness
- 89%
- Liveness
- 24%
- Loudness
- 85%
- Speechiness
- 8%
- Valence
- 14%
- Popularity
- 10%
- Loudness
- -9.096 dB
Summary
"LEGO Ninjago Taking the Bait (Original Score) - Live" by Ninjago Music, Jay Vincent, Michael Kramer was released on June 26, 2021. The duration of LEGO Ninjago Taking the Bait (Original Score) - Live is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. LEGO Ninjago Taking the Bait (Original Score) - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ninjago Music, The Fold's "LEGO Ninjago: 10 Year Anniversary Soundtrack" album is number 15 out of 23. Based on our statistics, LEGO Ninjago Taking the Bait (Original Score) - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
LEGO Ninjago Taking the Bait (Original Score) - Live BPM
We consider the tempo marking of LEGO Ninjago Taking the Bait (Original Score) - Live by Ninjago Music, Jay Vincent, Michael Kramer to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
LEGO Ninjago Taking the Bait (Original Score) - Live Key
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mayday Call | Pinar Toprak | E Major | 4 | 12B | 81 BPM | |
 | Billy Oblivion | Don Davis, Various Artists | B♭ Major | 6 | 6B | 148 BPM | |
 | Gun Robot Part 1 | The Crystal Method | F Major | 7 | 7B | 127 BPM | |
 | Kai is Closer | Hans Zimmer | A Minor | 2 | 8A | 177 BPM | |
 | Stop That Train | Joseph Shirley, Ludwig Goransson | F Major | 3 | 7B | 130 BPM | |
 | A Hero is Born | Theodore Shapiro | G Major | 4 | 9B | 145 BPM | |
 | Mojam | Peter Hont | A Major | 6 | 11B | 110 BPM | |
 | The Liberation of the Sparks | Grant Kirkhope | A Major | 1 | 11B | 127 BPM | |
 | The One Who is Many | Bear McCreary | D♭ Major | 1 | 3B | 124 BPM | |
 | Zurg-onomics | Michael Giacchino | C Major | 2 | 8B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5035219192504883
End: 0.5069229602813721