Antonio Vivaldi, Angèle Dubeau, La Pietà's 'Concerto per archi R.V. 139 en la majeur: I. Allegro' came out on March 26, 1998. With Concerto per archi R.V. 139 en la majeur: I. Allegro being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concertos for Strings by Antonio Vivaldi, Angèle Dubeau, La Pietà. The song's track number on the album is #13 out of 25 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Concerto per archi R.V. 139 en la majeur: I. Allegro is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto per archi R.V. 139 en la majeur: I. Allegro by Antonio Vivaldi, Angèle Dubeau, La Pietà has a tempo of 161 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Concerto per archi R.V. 139 en la majeur: I. Allegro being at 161 BPM, the half-time would be 80 BPM with a double-time of 322 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 1. Largo | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E Major | 0 | 12B | 80 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Concerto grosso in D Major, Op. 3/1, RV. 549: II. Largo e spiccato | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | E♭ Major | 2 | 5B | 144 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. (Allegro giusto) | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 0 | 3B | 111 BPM |
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