Eric Schmidt, Jonathan Rosenberg made "Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 5:00, "Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #24 out of 137 tracks. Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Annelies (chamber version): III. The plan to go into hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 173 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | D Major | 1 | 10B | 90 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | A♭ Major | 10 | 4B | 154 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Kapitel 72.2 & Kapitel 73 & Kapitel 74.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | E Major | 3 | 12B | 88 BPM | ||
Kapitel 45.4 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 87 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
The Dream of Gerontius, Op. 38: No. 3, "Kyrie Eleison… Holy Mary, Pray for Him" | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 66 BPM |
Section: 0.9067604541778564
End: 0.9105896949768066