Revenge of the Double Bass (arr. M. Allen)
Michael Allen, Joseph Reinagle, Douglas Anderson School of the Arts Chamber Orchestra, Carol Griffin
2012 Midwest Clinic: Douglas Anderson School of the Arts Chamber Orchestra
1:18 May 7, 2013
BPM
176
Key
D Major
Camelot
10B

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Revenge of the Double Bass (arr. M. Allen) - Michael Allen, Joseph Reinagle, Douglas Anderson School of the Arts Chamber Orchestra, Carol Griffin Information

Acousticness
92%
Danceability
39%
Energy
34%
Instrumentalness
83%
Liveness
69%
Loudness
57%
Speechiness
83%
Valence
60%
Popularity
Loudness
-25.885 dB

Summary

Michael Allen, Joseph Reinagle, Douglas Anderson School of the Arts Chamber Orchestra, Carol Griffin made "Revenge of the Double Bass (arr. M. Allen)" available on May 7, 2013. With Revenge of the Double Bass (arr. M. Allen) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 2012 Midwest Clinic: Douglas Anderson School of the Arts Chamber Orchestra, so we believe that "Revenge of the Double Bass (arr. M. Allen)" is a single. The popularity of Revenge of the Double Bass (arr. M. Allen) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Revenge of the Double Bass (arr. M. Allen) BPM

The tempo marking of Revenge of the Double Bass (arr. M. Allen) by Michael Allen, Joseph Reinagle, Douglas Anderson School of the Arts Chamber Orchestra, Carol Griffin is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Revenge of the Double Bass (arr. M. Allen) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

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ISRC
USVZX1301008
Label
L-M Records/RCA Records

Section: 0.824120283126831

End: 0.8294761180877686