"Mauz Step by Step for Clarinet" by Cyrille Rose, John Reynolds was released on 2013. With Mauz Step by Step for Clarinet being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mauz Step by Step for Clarinet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mauz Step by Step for Clarinet by Cyrille Rose, John Reynolds is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Asunder: I. Agitated | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM | ||
The Flight of the Bumble Bee | Nikolai Rimsky-Korsakov, Jasmine Choi | B♭ Major | 1 | 6B | 110 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM | ||
Mermaid's Song | Lūcija Garūta, Ilona Meija, Dzintra Erliha | A Minor | 0 | 8A | 106 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Trumpet Concerto, Op. 18: III. Allegretto - Rondo: Allegro scherzando | Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster | E Major | 3 | 12B | 133 BPM | ||
Cello Concerto No. 2, W516: IV. Allegro energico | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Salut D'Amour | Edward Elgar, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM |
Section: 0.6114680767059326
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