Toshinobu Kubota made "PSYCHIC BEAT" available on April 22, 1987. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Toshinobu Kubota, Toshinobu Kubota, KREVA, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota, Toshinobu Kubota's "GROOVIN’" album is number 1 out of 11. On top of that, Japan appears to be the country where this track was created. Based on our statistics, PSYCHIC BEAT's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of PSYCHIC BEAT by Toshinobu Kubota to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ディスコ・レディー | Rie Nakahara | B Minor | 7 | 10A | 131 BPM | ||
今日かぎり | Hiroaki Igarashi | B♭ Major | 7 | 6B | 99 BPM | ||
ラブ・ストーリーは突然に | Kazumasa Oda | G Major | 8 | 9B | 114 BPM | ||
ベステン ダンク | Hiroshi Takano | A Major | 9 | 11B | 128 BPM | ||
続・赤いスイートピー | Seiko Matsuda | F♯ Major | 6 | 2B | 182 BPM | ||
ドライブ・ソング | EPO | C Major | 7 | 8B | 127 BPM | ||
そして僕は途方に暮れる (Special Mixed Blend) | Yoshiyuki Osawa | B♭ Major | 3 | 6B | 150 BPM | ||
娘がねじれる時 - Remastered 2018 | Yosui Inoue | A Minor | 9 | 8A | 97 BPM | ||
ピーターラビットとわたし | Taeko Onuki | D♭ Major | 5 | 3B | 133 BPM | ||
さよならのオーシャン(シングル・バージョン) - 2022 Remaster | Kiyotaka Sugiyama | B Minor | 9 | 10A | 103 BPM |
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