Bluebird - Henry Gibson Information

Acousticness
84%
Danceability
64%
Energy
23%
Instrumentalness
0%
Liveness
8%
Loudness
75%
Speechiness
13%
Valence
80%
Popularity
Loudness
-14.968 dB

Summary

On February 19, 1968, the song "Bluebird" was released by Henry Gibson. With Bluebird being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Grass Menagerie". In this album, this song's track order is #7. Bluebird is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Bluebird BPM

With Bluebird by Henry Gibson having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Bluebird Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prelude / The Sound Of Music - Medley by Julie AndrewsPrelude / The Sound Of Music - MedleyJulie AndrewsF Major47B116 BPM
The Aristocats - Original by The Cast of The AristocatsThe Aristocats - OriginalThe Cast of The AristocatsF Minor74A131 BPM
Eglantine, Don't Let Me Down (Reprise: Eglantine) - From Eglantine, Don't Let Me Down (Reprise: Eglantine) - From "Bedknobs and Broomsticks"/Soundtrack VersionAngela Lansbury, David TomlinsonA♭ Major54B124 BPM
We Won't Be Happy 'Til We Get It by Ray Bolger, Henry CalvinWe Won't Be Happy 'Til We Get ItRay Bolger, Henry CalvinC Major48B122 BPM
For The Sake Of The Children by Henry GibsonFor The Sake Of The ChildrenHenry GibsonB Major41B102 BPM
Portebello Road - From Portebello Road - From "Bedknobs and Broomsticks"/Soundtrack VersionStreet Vendors, David Tomlinson, Roy Snart, Ian Weighill, Cindy O'CallaghanC Minor35A205 BPM
The Hard-Knock Life (Annie, Orphans: Pepper, Duffy, July, Kate, Tessie, Molly) - Voice by Charles Strouse, Alicia Morton, Marissa Rago, Danelle WilsonThe Hard-Knock Life (Annie, Orphans: Pepper, Duffy, July, Kate, Tessie, Molly) - VoiceCharles Strouse, Alicia Morton, Marissa Rago, Danelle WilsonD♭ Major43B78 BPM
I’m In the Middle of a Muddle by Kate HigginsI’m In the Middle of a MuddleKate HigginsC Major38B165 BPM
"The World's Greatest Criminal Mind"Vincent PriceF Major27B79 BPM
1776: Sit Down, John by Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard1776: Sit Down, JohnSherman Edwards, William Daniels, 1776 Ensemble, Peter HowardA♭ Major44B98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7077798843383789

End: 0.7118196487426758