String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio
Ludwig van Beethoven, Amadeus Quartet
Cosy Beethoven
1:18 October 9, 2021
BPM
81
Key
C Major
Camelot
8B

Embed

Share Link

String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio - Ludwig van Beethoven, Amadeus Quartet Information

Acousticness
97%
Danceability
8%
Energy
5%
Instrumentalness
93%
Liveness
8%
Loudness
65%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.236 dB

Summary

"String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio" by Ludwig van Beethoven, Amadeus Quartet was released on October 9, 2021. With String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio BPM

The tempo marking of String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio by Ludwig van Beethoven, Amadeus Quartet is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. AllegroAntonio Vivaldi, Itzhak Perlman, Israel Philharmonic OrchestraE Major112B101 BPM
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro by Johann Christian Bach, Daniil TrifonovSonata No. 5 in A Major, Op. 17, No. 5: I. AllegroJohann Christian Bach, Daniil TrifonovA Major111B135 BPM
Notturno in G Minor by Fanny Mendelssohn, Heather SchmidtNotturno in G MinorFanny Mendelssohn, Heather SchmidtG Minor16A125 BPM
Prelude In A Minor Op. 32 No. 8 by Vladimir HorowitzPrelude In A Minor Op. 32 No. 8Vladimir HorowitzF Major17B59 BPM
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, Rudolf BuchbinderSchubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat MajorFranz Schubert, Rudolf BuchbinderG Major09B135 BPM
Introduction and Rondo capriccioso in A Minor by Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitIntroduction and Rondo capriccioso in A MinorCamille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitA Minor18A91 BPM
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga by Johann Sebastian Bach, Lang LangGoldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di GigaJohann Sebastian Bach, Lang LangG Major19B71 BPM
Mussorgsky: Pictures at an Exhibition: II. The Old Castle by Modest Mussorgsky, Elisabeth LeonskajaMussorgsky: Pictures at an Exhibition: II. The Old CastleModest Mussorgsky, Elisabeth LeonskajaB♭ Major06B135 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7973551750183105

End: 0.8005242347717285