Biagio Marini, Delitiæ Musicæ, Marco Longhini made "Sonate, symphonie … e retornelli, Op. 8: Balletto quinto alla Allemanna e Corrente a 3" available on May 12, 2017. The duration of Sonate, symphonie … e retornelli, Op. 8: Balletto quinto alla Allemanna e Corrente a 3 is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Sonate, symphonie … e retornelli, Op. 8: Balletto quinto alla Allemanna e Corrente a 3's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi: Madrigals, Book 8" album is number 23 out of 85. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Sonate, symphonie … e retornelli, Op. 8: Balletto quinto alla Allemanna e Corrente a 3's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonate, symphonie … e retornelli, Op. 8: Balletto quinto alla Allemanna e Corrente a 3 by Biagio Marini, Delitiæ Musicæ, Marco Longhini to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gigue gaye | Robert de Visée, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata Basso e Violino, Op. 22 | Biagio Marini, Romanesca, Andrew Manze | A Minor | 0 | 8A | 99 BPM | ||
Fantasia in C Minor, TWV 40:26: I. Adagio - Allegro - Adagio - Allegro | Georg Philipp Telemann, Paolo Pandolfo | B Minor | 0 | 10A | 132 BPM | ||
Violin Sonata No. 2 in F Major: I. — | Gottfried Finger, Veronika Skuplik, Andreas Arend | E Major | 2 | 12B | 67 BPM | ||
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM |
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